This reimagining of Alice's Adventures in Wonderland is just as freaky, scary and wonderful as expected.
Title & Author: Splintered by A.G. Howard
Published: 2013
Pages: 371 (Amulet Books, 2013)
Read: 3/2/13 - 13/2/13
Series: N/A
Challenge(s): 2013 Debut Author Challenge
Source: Owned book
Synopsis: Alyssa Gardner hears the whispers of bugs and flowers—precisely the affliction that landed her mother in a mental hospital years before. This family curse stretches back to her ancestor Alice Liddell, the real-life inspiration for Lewis Carroll’s Alice’s Adventures in Wonderland. Alyssa might be crazy, but she manages to keep it together. For now.
When her mother’s mental health takes a turn for the worse, Alyssa learns that what she thought was fiction is based in terrifying reality. The real Wonderland is a place far darker and more twisted than Lewis Carroll ever let on. There, Alyssa must pass a series of tests, including draining an ocean of Alice’s tears, waking the slumbering tea party, and subduing a vicious bandersnatch, to fix Alice’s mistakes and save her family. She must also decide whom to trust: Jeb, her gorgeous best friend and secret crush, or the sexy but suspicious Morpheus, her guide through Wonderland, who may have dark motives of his own.(from Goodreads)
Loved/liked: Loved. This was actually one of the January debuts I passed over when I did my initial list, which now seems mad as this is so good. I'm glad it was picked as the Debut Author Challenge's book club book for February or I might not have read it, which would be a shame as I really enjoyed the read.
I have to admit, one of the things that made me a tad wary was the love triangle. It's right there in the synopsis and I was sure it would irritate me but no! I actually liked it, mostly because a) it made sense, b) it didn't dominate the whole damn plot, and c) I agreed with the outcome, which didn't feel forced. It was what I was rooting for throughout, which was nice (usually I pick the 'losing' guy).
The writing is gorgeous, the reimagining of Wonderland superb, and the characters all well-rounded. I liked Alyssa and rooted for her, and her evolution from freaked out teenager to total badass is believable and awesome. Both guys - Jeb and Morpheus - are great, and while I won't say which one I wanted to 'win' the love triangle I didn't feel that either didn't deserve to. Plus, Morpheus has various hats to suit his mood and/or the occasion, which is something I adored.
Basically, I loved this book and am finding it a bit tricky to put that into words without potentially ruining the whole dame plot. It's the sort of book I want to babble about to someone who's also read it, to point at favourite bits and discuss the sheer wonderful weirdness that was this take on Wonderland.
Problems/issues: None. The length of time it took me to read it was entirely my own fault; whenever I read the book I couldn't put it down. It's only not a 10/10 because, as much as I liked it, I didn't love it as much as I love my favourite books (which is, again, entirely on me).
Extra Awesome: Court intrigue, flying, hats for every occasion, weirdness everywhere.
Do I want more? Definitely. This isn't a series - though there is the potential for a sequel at the end, it's just something mentioned in passing - but I will be reading A.G. Howard's next book for sure (whenever that is *peers at Goodreads author page*).
Do I recommend it? Yes. Especially if you like darker, twistier fantasy - I'm thinking Holly Black and Melissa Marr, the sort of books that occasionally make me go "oh, that's nasty"...but not so nasty that I stop reading. Also, there are hats for specific events which is something I need in my life.
Rating: 9/10
See book. Buy book. Start reading book. See new book. Buy new book. Start reading new book instead of first book. Repeat until no books left in world.
Showing posts with label 09 out of 10. Show all posts
Showing posts with label 09 out of 10. Show all posts
Thursday, 14 February 2013
Thursday, 20 December 2012
Review: The Ask and the Answer by Patrick Ness (Chaos Walking #2)
In the second book of The Chaos Walking trilogy, just when you think things can't get worse they do. Every time. And it hurts (though not as much as it will in the finale).
Title & Author: The Ask and the Answer by Patrick Ness
Published: 2009
Series: Chaos Walking #2
Pages: 517 (Walker Books, 2009)
Challenge: Series Catch-Up
Status: Owned book
Note: If you haven't read The Knife of Never Letting Go I strongly recommend you do so before reading this review. While I don't spoil The Ask and the Answer I do, by necessity, discuss the ending of the first book which is not something you want spoiled. Trust me.
Synopsis: Fleeing before a relentless army, Todd has carried a desperately wounded Viola right into the hands of their worst enemy, Mayor Prentiss.
Immediately separated from Viola and imprisoned, Todd is forced to learn the ways of the Mayor's new order.
But what secrets are hiding just outside of town?
And where is Viola? Is she even still alive?
And who are the mysterious Answer?
And then, one day, the bombs begin to explode... (from Goodreads)
First line: "'Your Noise reveals you, Todd Hewitt.'"
Review: So, the ending of The Knife of Never Letting Go was pretty bad, right? Viola's been gut shot, Todd can't find anyone to help, and Mayor Prentiss has taken over Haven, renamed it Prentisstown and declared himself President. Things can't get much worse, right? Wrong, they get spectacularly worse in epic ways.
The book is told from Todd and Viola's perspectives, which is great and Viola Eade is a total bamf and Todd is just as cool as ever. What's less great is that neither of them know what's happening to the other, so first there's the tension of Todd wondering if Viola survived, then there's all sorts of misunderstandings as they both try to muddle through and figure out just what the other one is up to. And given that they end up on opposite sides of a fight between Mayor "I'm a nice guy really" Prentiss and Mistress "I know best let's blow stuff up" Coyle there are a lot of things to misunderstand. This could become annoying, but Patrick Ness handles it well and there's only one moment when I wanted to smack myself in the forehead then slap them both because, guys, really, think things through for a bit and see that you're being played.
Just as The Knife of Never Letting Go dealt with 'big' issues through a fantastic plot, so The Ask and the Answer addresses the little matters of dictatorship and terrorism while driving relentlessly to an ending with no easy choices. I do like that Patrick Ness didn't make all those in opposition to the Mayor perfect or even likeable; it's more real that way, and opens up two matters for consideration. Because as despicable as the Mayor is, the reaction some of the residents of Haven have to him both make things worse and give him the opportunity to improve his public image.
And I really feel like I can't say more because, again, spoilers. The one thing I will say is: make sure you have Monsters of Men to hand before you finish The Ask and the Answer. Because if you though the cliffhanger to The Knife of Never Letting Go was evil you are wildly unprepared for the end of The Ask and the Answer. Every plotline speeds up, rushes towards a conclusion - and then something wholly unexpected happens, which leads to Todd having to make a terrifying decision. And then the book ends.
Ultimately I don't love this book as much as I love The Knife of Never Letting Go, but it is an exceptionally good read and an excellent middle book of a trilogy.
Rating: 9/10
Title & Author: The Ask and the Answer by Patrick Ness
Published: 2009
Series: Chaos Walking #2
Pages: 517 (Walker Books, 2009)
Challenge: Series Catch-Up
Status: Owned book
Note: If you haven't read The Knife of Never Letting Go I strongly recommend you do so before reading this review. While I don't spoil The Ask and the Answer I do, by necessity, discuss the ending of the first book which is not something you want spoiled. Trust me.
Synopsis: Fleeing before a relentless army, Todd has carried a desperately wounded Viola right into the hands of their worst enemy, Mayor Prentiss.
Immediately separated from Viola and imprisoned, Todd is forced to learn the ways of the Mayor's new order.
But what secrets are hiding just outside of town?
And where is Viola? Is she even still alive?
And who are the mysterious Answer?
And then, one day, the bombs begin to explode... (from Goodreads)
First line: "'Your Noise reveals you, Todd Hewitt.'"
Review: So, the ending of The Knife of Never Letting Go was pretty bad, right? Viola's been gut shot, Todd can't find anyone to help, and Mayor Prentiss has taken over Haven, renamed it Prentisstown and declared himself President. Things can't get much worse, right? Wrong, they get spectacularly worse in epic ways.
The book is told from Todd and Viola's perspectives, which is great and Viola Eade is a total bamf and Todd is just as cool as ever. What's less great is that neither of them know what's happening to the other, so first there's the tension of Todd wondering if Viola survived, then there's all sorts of misunderstandings as they both try to muddle through and figure out just what the other one is up to. And given that they end up on opposite sides of a fight between Mayor "I'm a nice guy really" Prentiss and Mistress "I know best let's blow stuff up" Coyle there are a lot of things to misunderstand. This could become annoying, but Patrick Ness handles it well and there's only one moment when I wanted to smack myself in the forehead then slap them both because, guys, really, think things through for a bit and see that you're being played.
Just as The Knife of Never Letting Go dealt with 'big' issues through a fantastic plot, so The Ask and the Answer addresses the little matters of dictatorship and terrorism while driving relentlessly to an ending with no easy choices. I do like that Patrick Ness didn't make all those in opposition to the Mayor perfect or even likeable; it's more real that way, and opens up two matters for consideration. Because as despicable as the Mayor is, the reaction some of the residents of Haven have to him both make things worse and give him the opportunity to improve his public image.
And I really feel like I can't say more because, again, spoilers. The one thing I will say is: make sure you have Monsters of Men to hand before you finish The Ask and the Answer. Because if you though the cliffhanger to The Knife of Never Letting Go was evil you are wildly unprepared for the end of The Ask and the Answer. Every plotline speeds up, rushes towards a conclusion - and then something wholly unexpected happens, which leads to Todd having to make a terrifying decision. And then the book ends.
Ultimately I don't love this book as much as I love The Knife of Never Letting Go, but it is an exceptionally good read and an excellent middle book of a trilogy.
Rating: 9/10
Saturday, 29 September 2012
Review: Harry Potter and the Chamber of Secrets by J.K. Rowling
Before Harry Potter returns for his second year at Hogwarts he is warned that terrible things will happen at the school. A wave of mysterious attacks sweep the castle, and Harry finds himself caught up in the efforts to discover the culprit.
Published: 1998
Pages: 251 (Bloomsbury, 1998)
Series: Harry Potter #2
First Read: Spring 1999
Times Read: At least 10
Part of: The Harry Potter Readalong
First line(s): "Not for the first time, an argument had broken out over breakfast at number four, Privet Drive. Mr Vernon Dursley had been woken in the early hours of the morning by a loud, hooting noise from his nephew Harry's room."
Review: As with my review of Philosopher's Stone, I've split this into two parts - one for those who haven't read the books before, and one for those who have.
For those who haven't read the book(s) before
In many ways, Chamber of Secrets builds on Philosopher's Stone, expanding the world and introducing themes that will run throughout the series. The main focus in this book is the anti-Muggle prejudice that exists in the wizarding world, and which is J.K. Rowling's means of exploring intolerance. This may make the book sound heavy-handed and moralistic (and it is the latter) but it loses nothing of the whimsy and humour of the first book. It may seem like a slight rehash of Philosopher's Stone, but it is a great book on its own and features the fabulous creation that is Gilderoy Lockhart.
I'm trying not to say too much as an in depth discussion would be spoilery, but know this: when you've read this (even if you dislike it, as much of the fandom seems to) you can go on to Prisoner of Azkaban which is oh my God amazing.
For those who have read the book(s) before
I know this is one of the least popular books in the fandom, but I've always rather liked it. It isn't one of my favourites, but I don't dislike it. It's funny, and servicable, and it doesn't leave me let down like Order of the Phoenix nor does it seem slight like Half-Blood Prince. I see that it is a lot like Philosopher's Stone, and it still feels like an introduction, but I rather enjoy the ever-expanding element of the wizarding world and Rowling's way of moving the reader deeper into it as the books progress.
The main flaw with this book it that the mystery isn't completely solvable by the reader. All the other books provide you with the required information, so that when you read the answer you say "oh, why didn't I see that, it was right there!". While this is true of the Ginny element of the solution, it isn't so with the answer of the basilisk - it is revealed in a short paragraph that tells what has gone before rather than shows. It would have been difficult to work the information in without it being bloody obvious, but it feels forced and sloppy when it is revealed. This is the most disappointing element of the book, which is frustrating as the mystery is usually one of the best things in a Harry Potter.
However, much as I still notived the flaw on this reread, I was most struck by how much Chamber of Secrets foreshadows Half-Blood Prince and Deathly Hallows. Quite apart from the items in Borgin and Burkes which Draco uses in HBP, and the two Vanishing Cabinets (oh my goodness she really had this planned), there is the diary! A piece of Lord Voldemort's soul, right there, being flushed down toilets and thrown around by teenagers! I almost wish there was some way he could learn exactly what happened to the diary after he'd left it with Lucius. It could be seen as merely important to the plot of Chamber, but the word "soul" is thrown around a lot as Tom Riddle explains what happened, and even on the first read this element seems important enough to be noted though you don't know why. And that is part of the genius of the series as a whole.
My favourite line from this book though, the one that leapt out at me this time, was "[l]et's match the powers of Lord Voldemort, heir of Salazar Slytherin, against famous Harry Potter, and the best weapons Dumbledore can give him" (233) because that is exactly happens at the end of Deathly Hallows and that says so much about Voldemort's weaknesses and ultimate defeat.
So, despite the fault with the mystery, I really like Chamber of Secrets. It may seem a more important book now the series is complete, but I've always enjoyed reading it. Still, I'm curious: what is it about Chamber of Secrets that fans dislike?
Rating: 9/10
Published: 1998
Pages: 251 (Bloomsbury, 1998)
Series: Harry Potter #2
First Read: Spring 1999
Times Read: At least 10
Part of: The Harry Potter Readalong
First line(s): "Not for the first time, an argument had broken out over breakfast at number four, Privet Drive. Mr Vernon Dursley had been woken in the early hours of the morning by a loud, hooting noise from his nephew Harry's room."
Review: As with my review of Philosopher's Stone, I've split this into two parts - one for those who haven't read the books before, and one for those who have.
For those who haven't read the book(s) before
In many ways, Chamber of Secrets builds on Philosopher's Stone, expanding the world and introducing themes that will run throughout the series. The main focus in this book is the anti-Muggle prejudice that exists in the wizarding world, and which is J.K. Rowling's means of exploring intolerance. This may make the book sound heavy-handed and moralistic (and it is the latter) but it loses nothing of the whimsy and humour of the first book. It may seem like a slight rehash of Philosopher's Stone, but it is a great book on its own and features the fabulous creation that is Gilderoy Lockhart.
I'm trying not to say too much as an in depth discussion would be spoilery, but know this: when you've read this (even if you dislike it, as much of the fandom seems to) you can go on to Prisoner of Azkaban which is oh my God amazing.
For those who have read the book(s) before
I know this is one of the least popular books in the fandom, but I've always rather liked it. It isn't one of my favourites, but I don't dislike it. It's funny, and servicable, and it doesn't leave me let down like Order of the Phoenix nor does it seem slight like Half-Blood Prince. I see that it is a lot like Philosopher's Stone, and it still feels like an introduction, but I rather enjoy the ever-expanding element of the wizarding world and Rowling's way of moving the reader deeper into it as the books progress.
The main flaw with this book it that the mystery isn't completely solvable by the reader. All the other books provide you with the required information, so that when you read the answer you say "oh, why didn't I see that, it was right there!". While this is true of the Ginny element of the solution, it isn't so with the answer of the basilisk - it is revealed in a short paragraph that tells what has gone before rather than shows. It would have been difficult to work the information in without it being bloody obvious, but it feels forced and sloppy when it is revealed. This is the most disappointing element of the book, which is frustrating as the mystery is usually one of the best things in a Harry Potter.
However, much as I still notived the flaw on this reread, I was most struck by how much Chamber of Secrets foreshadows Half-Blood Prince and Deathly Hallows. Quite apart from the items in Borgin and Burkes which Draco uses in HBP, and the two Vanishing Cabinets (oh my goodness she really had this planned), there is the diary! A piece of Lord Voldemort's soul, right there, being flushed down toilets and thrown around by teenagers! I almost wish there was some way he could learn exactly what happened to the diary after he'd left it with Lucius. It could be seen as merely important to the plot of Chamber, but the word "soul" is thrown around a lot as Tom Riddle explains what happened, and even on the first read this element seems important enough to be noted though you don't know why. And that is part of the genius of the series as a whole.
My favourite line from this book though, the one that leapt out at me this time, was "[l]et's match the powers of Lord Voldemort, heir of Salazar Slytherin, against famous Harry Potter, and the best weapons Dumbledore can give him" (233) because that is exactly happens at the end of Deathly Hallows and that says so much about Voldemort's weaknesses and ultimate defeat.
So, despite the fault with the mystery, I really like Chamber of Secrets. It may seem a more important book now the series is complete, but I've always enjoyed reading it. Still, I'm curious: what is it about Chamber of Secrets that fans dislike?
Rating: 9/10
Thursday, 6 September 2012
Review: The Count of Monte Cristo by Alexandre Dumas
Falsely accused of treason, Edmond Dantes is imprisoned in the infamous Chateau d'If. There he meets the Abbe Faria, who educates him and tells him of the legendary treasure of Monte Cristo. After a daring (and somewhat foolhardy) escape, Edmond finds the treasure, re-invents himself as the fabulously wealthy Count of Monte Cristo, and seeks revenge on those who betrayed him.
Published: 1844-46
Pages: 1,264 (Harper Perennial, 2008)
Read: 20/8/12 - 6/9/12
Challenge(s): Project Fill in the Gaps
First line: "On the 24th of February, 1815, the lookout of Notre-Dame de la Garde signalled the three-master, the Pharaon, from Smyrna, Trieste, and Naples."
Review: I have a couple of confessions to make regarding my reading of this book:
1) Although I've owned a copy for years, I only started reading it recently because I'm hooked on Revenge and had heard that the series was loosely based on this novel.
2) A lot of my ideas about the plot were formed by a trailer I saw years ago for a movie adaptation of the book. Most of these were completely wrong (which I'm glad about, because the trailer made the story look dire and also pretty much told the entire plot in three minutes).
3) I am ridiculously proud of myself for finishing this book. Given my usual habit of getting distracted and putting books down to pick them up again years later (if ever), the fact that I stuck with this despite its length makes me feel like I'm owed some sort of prize.
Now that those are out of the way: I really enjoyed this book. Despite its somewhat intimidating size and the smallness of the text, it's incredibly easy to read - I'd suddenly find that I'd read over a hundred pages and it was a lot later than I thought. The plot, though convoluted and complex, keeps you reading, especially when Edmond is the Count and wreaking his revenge and you're not quite sure exactly what he's doing or how the vengeance is going to play out. There are a lot of characters, all with their own agendas and secrets, which all come into play, and despite the sheer number of plot strands everything is wrapped up at the end - possibly a little too neatly but given the juggling act Alexandre Dumas pulled off this is fine.
My main gripe would be that, at the beginning, Edmond is a prat. The reader is meant to feel sympathy for him - and I did when everything started going wrong - but at first he's a slightly arrogant, thoughtless prat and, while I didn't want him to end up falsely imprisoned for over a decade, I did want someone to at least tell him off a little. This lack of sympathy continues, to an extent, while he's in prison and after his escape, mostly because the Count is constantly set up as an almost supernatual, utterly inscrutable being. One of my favourite "oh, you're just messing with the reader now, Dumas" parts of the entire book is how often the Count disguises himself and gets away with it, the height of this being when he is three 'different' men on the same day to the same investigator. He's up there with Sherlock Holmes in terms of how well he can disguise himself, and it gets more than a little ridiculous.
This, naturally, follows over into no one who knew him before he went to prison recognizing him (with one logical exception). The people he's seeking vengeance upon invite him to their homes, ask his advice, and blindly accept that this dude has popped up out of nowhere at exactly the same time that their lives start falling apart. This is often spoken of as divine providence - and the Count sees himself as an agent of God - but it does raise the question of how justified his actions are: yes, he suffered terribly, but he pushes things to such an extent that there are suicides, murders, madness and the near obliteration of an entire family. And, while Dumas does deal with the downside of this, it's never clear whether he condemns or condones the Count's actions - though, most likely, the latter, while leaving it uncertain for the reader.
Personally, I think it's all a bit overkill, and the ending is a tiny bit too neat. There are also several moments when I wanted to shout "just tell each other what's going on!" at a few of the characters, and towards the end there's part where the Count really should have just told Morrel what he was up to, it would have stopped a lot of problems. Yet, despite my ambivalence towards the central figure - and to most of the characters, if I'm honest - I thoroughly enjoyed reading the book. It's not a swashbuckling yarn as I expected, and there are times when I thought Dumas was being more than a bit ridiculous with what the Count could achieve, but it was fantastically readable and fun for all that.
My Final Thoughts: Not the most sensible of books, but it doesn't have to be. Continuity errors abound, the characters frequently fail to recognise someone they knew well unless it's convenient for Dumas, and the outcome of all of the plotting and conniving is, potentially, not worth it. But, for all that I can see plenty of faults with the book, I'm glad I read it and recommend it to anyone looking for a fun (if long) read.
50 Words or Less: Enjoyable read, worth the time it took to plough through it, but a bit messy and full of moments of incredulity. Less swashbuckling than expected but lots of plotting and manipulating, which keeps you guessing (which is why I've mentioned as few actual plot details as possible in this review).
Rating: 9/10
Published: 1844-46
Pages: 1,264 (Harper Perennial, 2008)
Read: 20/8/12 - 6/9/12
Challenge(s): Project Fill in the Gaps
First line: "On the 24th of February, 1815, the lookout of Notre-Dame de la Garde signalled the three-master, the Pharaon, from Smyrna, Trieste, and Naples."
Review: I have a couple of confessions to make regarding my reading of this book:
1) Although I've owned a copy for years, I only started reading it recently because I'm hooked on Revenge and had heard that the series was loosely based on this novel.
2) A lot of my ideas about the plot were formed by a trailer I saw years ago for a movie adaptation of the book. Most of these were completely wrong (which I'm glad about, because the trailer made the story look dire and also pretty much told the entire plot in three minutes).
3) I am ridiculously proud of myself for finishing this book. Given my usual habit of getting distracted and putting books down to pick them up again years later (if ever), the fact that I stuck with this despite its length makes me feel like I'm owed some sort of prize.
Now that those are out of the way: I really enjoyed this book. Despite its somewhat intimidating size and the smallness of the text, it's incredibly easy to read - I'd suddenly find that I'd read over a hundred pages and it was a lot later than I thought. The plot, though convoluted and complex, keeps you reading, especially when Edmond is the Count and wreaking his revenge and you're not quite sure exactly what he's doing or how the vengeance is going to play out. There are a lot of characters, all with their own agendas and secrets, which all come into play, and despite the sheer number of plot strands everything is wrapped up at the end - possibly a little too neatly but given the juggling act Alexandre Dumas pulled off this is fine.
My main gripe would be that, at the beginning, Edmond is a prat. The reader is meant to feel sympathy for him - and I did when everything started going wrong - but at first he's a slightly arrogant, thoughtless prat and, while I didn't want him to end up falsely imprisoned for over a decade, I did want someone to at least tell him off a little. This lack of sympathy continues, to an extent, while he's in prison and after his escape, mostly because the Count is constantly set up as an almost supernatual, utterly inscrutable being. One of my favourite "oh, you're just messing with the reader now, Dumas" parts of the entire book is how often the Count disguises himself and gets away with it, the height of this being when he is three 'different' men on the same day to the same investigator. He's up there with Sherlock Holmes in terms of how well he can disguise himself, and it gets more than a little ridiculous.
This, naturally, follows over into no one who knew him before he went to prison recognizing him (with one logical exception). The people he's seeking vengeance upon invite him to their homes, ask his advice, and blindly accept that this dude has popped up out of nowhere at exactly the same time that their lives start falling apart. This is often spoken of as divine providence - and the Count sees himself as an agent of God - but it does raise the question of how justified his actions are: yes, he suffered terribly, but he pushes things to such an extent that there are suicides, murders, madness and the near obliteration of an entire family. And, while Dumas does deal with the downside of this, it's never clear whether he condemns or condones the Count's actions - though, most likely, the latter, while leaving it uncertain for the reader.
Personally, I think it's all a bit overkill, and the ending is a tiny bit too neat. There are also several moments when I wanted to shout "just tell each other what's going on!" at a few of the characters, and towards the end there's part where the Count really should have just told Morrel what he was up to, it would have stopped a lot of problems. Yet, despite my ambivalence towards the central figure - and to most of the characters, if I'm honest - I thoroughly enjoyed reading the book. It's not a swashbuckling yarn as I expected, and there are times when I thought Dumas was being more than a bit ridiculous with what the Count could achieve, but it was fantastically readable and fun for all that.
My Final Thoughts: Not the most sensible of books, but it doesn't have to be. Continuity errors abound, the characters frequently fail to recognise someone they knew well unless it's convenient for Dumas, and the outcome of all of the plotting and conniving is, potentially, not worth it. But, for all that I can see plenty of faults with the book, I'm glad I read it and recommend it to anyone looking for a fun (if long) read.
50 Words or Less: Enjoyable read, worth the time it took to plough through it, but a bit messy and full of moments of incredulity. Less swashbuckling than expected but lots of plotting and manipulating, which keeps you guessing (which is why I've mentioned as few actual plot details as possible in this review).
Rating: 9/10
Sunday, 25 September 2011
Review: The Silver Branch by Rosemary Sutcliff
Pages: 246
Series: The Dolphin Ring Cycle #2
Read: 22nd - 23rd September 2011
Challenge: N/A
Status: Borrowed but buying
Reason I Read It: I really liked The Eagle of the Ninth and am now determined to read all of Rosemary Sutcliff's books.
Synopsis: Violence and unrest are sweeping through Roman Britain. Justin and Flavius find themselves caught up in the middle of it all when they discover a plot to overthrow the Emperor. In fear for their lives they gather together a tattered band of men and lead them into the thick of battle, to defend the honour of Rome. But will they be in time to save the Emperor... (from Goodreads)
First line: "On a blustery autumn day a galley was nosing up the wide loop of a British river that widened into the harbour of Rutupiae."
Review: Rosemary Sutcliff is one of my favourite 'new' authors of the year. The Eagle of the Ninth was fantastic, Outcast was good if depressing until about 1/5 from the end, and I definitely want to read all of her books even though this will no doubt involve tracking a few down second hand. The Silver Branch sits somewhere between those two in terms of how much I like it (I think it's going to take a lot to knock The Eagle of the Ninth off its top spot in my estimation) and is the book I knew least about as I started reading, both plot- and history-wise.
Because I thought I knew something about Roman Britain. And I did, it's just that my education always focused on Julius Caesar, Claudius and Boudicca and then fastforwarded 350 years to the Romans leaving us to panic over a lack of luxuries and the fear of invasion. So, because I never bothered to do any research of my own, I never knew someone called Carausius set himself up as Emperor of Britain and northern Gaul in 286 AD (thank you, Wikipedia) or that he would be the Emperor featured in The Silver Branch. I genuinely thought Justin and Flavius would be dashing off to Rome and that there'd be a pellmell dash over Europe in a similar style to Marcus and Esca's journey to Scotland in The Eagle of the Ninth. That the book is set entirely in Britain and that through this I learned a bit of history (and now want to read more on the time period) is an unexpected bonus of reading the book.
I also hadn't realised that both Justin and Flavius are descendants of Marcus, and that the Eagle from the first book would play a part in this one. Or that the book would turn into an espionage drama halfway through, with lots of sneaking around and secret paths above the town - I love stuff like that. Add in a couple of courageous last stands and a fantastic closing battle and the book was full of things I enjoy that I hadn't expected to find. Sutcliff's prose is always beautiful, her plot raced along even during 'quiet' moments and I felt like I learned something. I am going to have to read the rest of this series.
Rating: 9/10
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